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Friday, August 31, 2012

The Rise To Fame of Classic Zombie Movies

When it comes to classic zombie movies, everyone has their own favorites, and most can still remember the first time they sat in front of the television, watching a black and white portrayal of the undead slowly, but determinedly, chasing down their bumbling prey. Classic zombie movies are still a favorite amongst diehard fans, because they lend an element of gritty morbidity that pop culture based movies seem to lack these days; while this shouldn't take away from the latest releases within this genre, it definitely adds to the authority of the films that preceded them.


The reason why classic zombie movies seem to come with the tag line this is what actual zombies are supposed to look like, is because the archetype for these creatures stemmed from the Voodoo religion, which is, in essence, Haitian. When William S. Seabrook returned from his voyage to Haiti and published his travelogue, The magic island, westerners found themselves enthralled with the concept of a creature that rises from the grave due to the powers of a sorcerer called a Brokor. This fascination led to some of the best classic films on the subject, and all within a matter of a few decades.


Bela Lugosi's 'White Zombie' is perhaps one of the most famous classic films on this subject. It follows the story of a prosperous businessman by the name of Murder Legendre, based in Haiti, who has the power to transform men into zombies. When a man falls in love with a woman who is to marry someone else, he approaches the voodoo master for assistance, who then turns his beloved into a zombie. The movie itself is said to closely follow the writings of Seabrook, even going as far as mentioning the potion that was supposed to turn corpses into the undead slaves of the voodoo priest.


George Romero's 'The Night of the Living Dead' was another classic which altered the face of this genre, and remakes of this film continue to be released up until today. The film was released in 1968 and its reception was marked by shock and outrage, although when this subsided, it quickly became one of the penultimate favorite films on the subject. One of the reasons for its initial negative reception was the fact that it was gory, contained nudity, and the protagonist of the film was ultimately killed in the end. Basically, this film was unlike any other that had been released in the past, and it remains one of the most popular films based on the undead to date.


'The Night of the Living Dead' did not only alter the horror genre; it also added to the lore and myth surrounding these supernatural creatures. In the past, zombies were the creation of dark voodoo priests, but in this feature, they could transfer their supernatural abilities to others through a bite. The film also references methods on how to kill these creatures - shoot them through the head- which has become the first method of defense against the undead in countless films and games to date.


While classic zombie movies might have changed slightly during the first few decades when they began making their debuts on big screens all over the world, one thing remains certain; they inspired a fascination with these creatures that continues to thrive today. Providing articles, reviews and writings on movies online.

Wednesday, August 15, 2012

3 Latest Movies Filmed on Location in South Africa

South Africa has been a prime location for film productions for years now, but it is still a novelty to find an international movie or major TV series actually set on the streets of Cape Town or Johannesburg. So it was with great excitement that South African movie goers greeted the release of Safe House earlier this year, and that is not the only movie to be filmed on location in Cape Town recently.


Safe House - This blockbuster box office hit stars Denzel Washington and Ryan Reynolds and was filmed on location in and around Cape Town. The story of a young CIA agent on the run as he tries to look after a fugitive in a safe house gives lots of scope to the Mother City as a setting. Capetonians get extra thrills from location spotting of their familiar streets and mountain, but from the fact that it scored a huge $40.2 m in its first weekend after release it went down a storm everywhere else in the world too.


Chronicle - Here Cape Town is doubling for Seattle, as three teenagers with supernatural powers find their lives spiralling out of control. The sci-fi thriller is filmed as if it were found-footage put together from video recordings. As well as being filmed on location in the streets of Cape Town, the production used sets constructed on a film studio stage at Cape Town Film Studios. Left hand drive cars were shipped in especially for the production and ingenious special effects produced to show the effects of the heroes' telekinetic powers crushing a car.


Dark Tide is another 2012 release filmed on location in and around Cape Town. This harnesses the power and drama of the ocean as Halle Berry stars as a diving instructor who returns to work in deep waters after an almost fatal encounter with a shark. The crew shot on a small boat with real great white sharks in False Bay. The studio filming in an underwater tank was completed at Pinewood Studios in the UK. The film was released in March 2012 and didn't get very good critical reviews, either for the plot or for the acting, but everyone agrees that the scenery is stunning, as you would expect for any movie filmed with the Cape Peninsula as a backdrop.


And something else to watch out for, though not yet released, is the third TV series of military drama Strike Back, which was filmed in various locations in South Africa earlier this year. Providing articles, reviews and writings on movies online.

Tuesday, August 14, 2012

Bill Cunningham New York

The best documentaries are the ones that leave you feeling like you've had a religious experience - that you've either just encountered a holy person or experienced a conversion to some new cause or idea that had been previously unexplored. The best documentaries transcend the subject matter and touch another place altogether - that spiritual place. And so it is with Bill Cunningham New York, a delightful documentary directed by Richard Press about the octogenarian New York Times photojournalist who comes across as a monastic figure whose sanctuary is couture.


Prior to seeing the picture, I didn't know Bill Cunningham's work, but being a longtime reader of the New York Times, I was aware of his street photos, which have been a regular feature in the Style section for over thirty years, and the tension between ubiquity (he's a respected sage in the fashion industry) and anonymity (he's a discreet man who shuns the spotlight and money in order to enjoy guiltless freedom in what he does) is at the core of the movie and the man.


Cunningham was born and raised in Boston, and retains the distinctive accent where Central Park becomes Central Pahk. After dropping out of Harvard, he moved to New York, where an uncle who worked for Bonwit Teller, the high-end department store, took him in and got him a job as a stock boy. Cunningham's interest in fashion worried his family, who no-doubt feared that he was gay. Finally, tiring of his family's pressure to get a "straight" job, Cunningham moved out of his uncle's place in 1949 and found an empty space on East 52nd street where he set up a hat shop and designed under the name William J.


After a hitch in the army, Cunningham came back to New York where he began his career in journalism. He got on with Women's Wear Daily, and was given carte blanche to write about whatever interested him. When WWD wouldn't publish a piece he'd written about Courreges, the French designer, he quit.


In the 60's, Cunningham worked for the Chicago Tribune in their New York office. In 1966, he met a photographer named David Montgomery. When Cunningham expressed an interest in taking pictures, Montgomery gave him an Olympus Pen-D half frame camera and told him to use it like a notebook. Thus equipped, he entered a new phase of his career.


Cunningham took Montgomery's advice to heart, and it was during this time, as he was getting acquainted with the camera, that he had an epiphany. He wrote about this moment in a 2002 piece for the Times - "I realized that you didn't know anything unless you photographed the shows and the street, to see how people interpreted what designers hoped they would buy. I realized that the street was the missing ingredient." That realization, that the street was where fashion was worked out, led to an obsession with the streets of Manhattan, which became a kind of laboratory for Cunningham, who documented the daily fashion experiments, looking for patterns.


In the 70's, Cunningham started taking photographs for the Times, but it wasn't until 1978 - after a chance encounter with Greta Garbo and a nutria coat she was wearing - that he landed his current gig, covering the streets and the galas and the shows - the Bill Cunningham holy trinity of fashion.


Bill Cunningham New York is a mixture of talking head interviews, decades old archival footage of Cunningham, and present day coverage of the man on his daily rounds. Amazingly, Cunningham - nearly 80 at the filming of the picture - still gets around Manhattan on his trademark bicycle, moving from street corner to street corner to capture a few frames of some article of clothing or an accessory that catches his eye.


The man who emerges from all of this attention is a purist completely uninterested in industry politics, self-promotion, or celebrity. For him, it's all about the clothes...of others. Cunningham lives a Spartan existence. His apartment is a tiny studio at Carnegie Hall that has no kitchen or bathroom (he showers and takes care of other business in a common bathroom in the hallway). He sleeps on a makeshift cot. The rest of the living space is occupied not with furniture and art, but filing cabinets filled with prints and negatives - his experiments.


Cunningham dresses conservatively, and could easily be mistaken for a retired professor or accountant but for his trademark blue smock. Some years ago, he stumbled across the smock - designed for institutional use - in a department store section devoted to uniforms. It's a light jacket that Cunningham favors for its many pockets (to hold film and other paraphernalia) and rugged construction (his camera, which dangles from his neck like a giant medallion, is hell on coats). It looks like something Chairman Mao might have favored.


Cunningham has stripped his life down to the essentials so that he can devote as much of himself as possible to the documentation of what people are wearing. He's that rare person who, early on, discovered his calling, and has let nothing distract him from it. Seeing him at Carnegie Hall Towers, once can't help but view him as a kind of secular monk and Carnegie Hall as his monastery. Cunningham and his elderly neighbors, nearly forgotten artists from the mid-twentieth century, are as delightfully anachronistic as an encounter with a Franciscan monk or the Amish.


The difference with Cunningham is that, though he may not be of the world, he's definitely in the world. We see him in the offices of the Times, playfully bantering with co-workers. We see him in Paris at a major show, where a young gate-keeper keeps in out on the sidewalk until an older co-worker pushes her aside, declaring Cunningham to be "the most important man on earth." We see him on the street, dialed in like method actor or ballplayer, looking for that thing.


Bill Cunningham New York has blown the cover of its subject, but his loss of anonymity is our great gain. Providing articles, reviews and writings on movies online.

Monday, August 13, 2012

Where To Sell Those VHS Titles

The last thing I want to do is to put you off any of your own ideas about where to sell those VHS Titles that you have accumulated over the years. Or maybe you are an enthusiastic collector who wants to free up some space in what was once a 3 bedroom house and is now a 2 bedroom house with a large shed upstairs.


But seriously, there are many places you could try to sell your VHS Tapes. There are plenty of online outlets including eBay, Craigslist.com and Amazon, etc. You can sell domestically from garage sales, car boots and the classified ads in your local newspaper.


The thing to remember is this; you want to get as targeted a buying audience as possible and that being the case - you also want that audience to be as big as possible.


Selling VHS Titles is very much a niche enterprise and that niche is split into smaller niches. Therefore, it makes a lot of sense to try to get your VHS Titles in front of all the people who might be interested.


Some buyers may only be interested in documentaries, others in trains or travel. Still others may collect comedy or live band performances etc.


But if all these people are looking in the same place, then there is a good chance that they will see some of your video titles - if they are there to be seen.


The largest marketplaces are of course eBay and Amazon.


I am only going to recommend Amazon - WHY?


For one very good reason. Amazon has a real advantage over eBay because it actually has a category called "VHS" and eBay does not.


Instead, eBay has a category called, "DVD's, Films & TV".


Yes, it's true that if you type 'VHS tapes' into the eBay search bar, then look under the categories heading, you will see, "Videos: VHS" mentioned.


But here is the real difference.....


The last time I looked, eBay was showing 2,337 listings under that heading, but at the same time, Amazon had over 83,000.


Amazon is by far the most popular place for selling and is the obvious marketplace for a niche selling enterprise.


Whether you are a collector or simply selling redundant VHS Tapes which are lying around the house - something you should definitely consider obtaining is an up-to-date and proper;y researched list of VHS Titles. A list that shows you which tapes have a value. There are many, many VHS Tapes being advertised on Amazon.co.uk for 1 penny. This is ridiculous and it will be a total waste of your time to try selling some of your VHS Titles when clearly there may be a saturated market for certain titles.


So you either need a researched list or else you will have to research each one of your titles individually. This isn't such a big deal if you only have a few, but if you have a shed-load or you are actually sourcing VHS Titles as a means of providing a second income, then having a list which tells you which VHS Titles have value, is something which will save you enormous amounts of time and also prevent you wasting money buying tapes that have little or no value.


Anyway, I hope I have given you some ideas. It only remains for me to wish you good luck in selling your tapes. Providing articles, reviews and writings on movies online.

Sunday, August 12, 2012

Famous Bollywood Actresses With Seductive Eyes

Eyes are considered the most delicate part of the human body and a woman's eyes are said to depict her elegance and beauty. A woman can even kill a man with her bold and graceful eyes. Bollywood actresses are known for their beautiful eyes and many people often fall into the hypnotic and enticing waterfall of their eyes. Almost all the actresses in bollywood are blessed with lovely eyes; Aishwarya Rai, Rani Mukherjee, Madhuri Dixit and Kajol - to name a few. Bollywood actresses play with the expressions of their eyes to attract the viewers. We shall now have a glimpse at some of the famous bollywood actresses who have seductive eyes.


• Aishwarya Rai: She was born on 1st November 1973 and in 1994 she won the Miss World pageant. She has worked in blockbuster movies like Jodhaa Akbar, Provoked and Guru. She was honoured with Padma Shri and is one of the leading actresses of Hindi cinema. Her lovely eyes are counted among the top most beautiful eyes throughout the world. This adorable blue eyed woman has millions of fans not only in India but all over the world.


• Sridevi: A south Indian actress born on 13th august 1963 has won many hearts with her stunning eyes in Bollywood. She makes such naughty expressions with her eyes that viewers couldn't take off their gaze from her. She gave her marvelous performances in Chaalbaaz and Mr. India and has even won Nandi Award for her acting. Her eyes are believed to be the sexiest in the Bollywood.


• Madhuri Dixit: This dancing queen was born on 15th May 1967, and is considered one of the best actresses of Bollywood till date. She has given many romantic hits like Dil to pagal hai, Hum aapke hain kaun, Devdas and Saajan. She can make people dance to her expressions through her lustrous eyes. Her fans' heartbeat can't stop beating fast after looking at her dazzling and wide eyes which has made her one of the most expressive divas of Bollywood.


• Rani Mukherjee: This Bengali beauty was born on 21st march 1978. Her mesmerising eyes have taken her a long way when she spoke through her eyes in the movie Black, where she played a character of a blind and deaf girl. She seduces the entire world with her sensational sexy black eyes; fans go gaga over her wonderful eyes and her audiences go out of control.


• Vidya Balan: A Malyali girl born on 1st January 1978, she has made the whole world go speechless with her hot and bold eyes in the movie 'The dirty picture'. She gave many successful hits in several languages such as Hindi, Bengali and Malayalam. Paa, Ishqiya and Kahaani are some of her successful movies where she has given outstanding performances. Her stunning and smoky wide eyes have turned many heads in the Bollywood.


There is a never ending list of actresses with seductive eyes in Bollywood; the above mentioned were just a few top actresses from the list. Providing articles, reviews and writings on movies online.

Saturday, August 11, 2012

Jackie Chan's Last Major Action Film: Chinese Zodiac

If I've heard it once, I've heard it a thousand times: "Oh, I'm too old to do that". Every time I've heard that statement, I've politely disagreed. I believe that as we grow older we just become less active. So, to that previously mentioned statement, bah humbug!


Now, on to the main topic of this article, Jackie Chan! At 58 years old, Jackie is still doing his special brand of stunts and is going to release the biggest film of his career: Chinese Zodiac. If Jackie can still kick butt, then you have no excuses!


This is what Jackie had to say about his final action flick:


"I've been fighting and doing action films all my life, you've got to find a point to stop. With this movie I'm the director, I'm the writer, I'm the producer. So okay, I think it's a good time to announce that it's my last big action movie. I would still do action movies but not a big one like this.""For the last ten years I've been choosing the director to direct me. This one I direct myself," he explained. "I hope this movie, 20 years later, people still remember it. For me, for the audience, for my future, for my history - it's very important."


Chinese Zodiac is the third installment in the "Armour of God" series which was titled "Operation Condor" in the U.S. It's funny how Jackie says that he hopes people still remember this film 20 years from now. It has actually already been 21 years since the release of "Armour of God II: Operation Condor" and I remember that movie... it is one of my favorites.


Chinese Zodiac is about a treasure hunter/ thief that is on a mission to find a rare set of Chinese sculptures that represent the zodiac animals. Jackie has spent 7 years preparing and 1 year shooting in over 10 cities in 5 countries. The film is also being produced with a Hong Kong production company instead of one in Hollywood. Yes! Now we can count on it being somewhat decent instead of a run of the mill piece of Hollywood garbage.


I can't wait until Chinese Zodiac is released. When Jackie says he's going to do something, he means business. I've seen countless behind the scenes footage of him doing stunts over and over and over again until they are perfect. He doesn't want any of his action sequences to look bad. This film is no exception to the rule... it is going to represent his life's work.


As far as continuing his career, I'll admit it, I don't think Jackie is going to have a very easy time transitioning into being a "serious" actor. Even if Jackie does have an incredible acting talent, he has branded himself as an action star and most will scoff at the idea.


I applaud Jackie. He just wants to keep doing what he loves. He has had an incredible career. He has acted in over 100 films and has even shared the screen with the great Bruce Lee in "Enter the Dragon".


Even if he remains in excellent shape, at some point, you've got to relax a little bit. I haven't seen too many people in their sixties jump from building tops to the roofs of buses or fly down zip lines at 40mph. I'm hoping he will continue to do as many stunts as he can in his future films. Jackie truly is a living legend. Providing articles, reviews and writings on movies online.

Friday, August 10, 2012

Where Was Auf Wiedersehen, Pet Filmed?

In the early 1980's when Auf Wiedersehen, Pet hit our screens, it was an instant hit, and at its peak in 1986, was having viewing figures of almost 17 million in the UK. As a fan of the show myself, I always wanted to know where the show was filmed, but in the days before the internet, finding out such information was almost impossible.


In 1995 I tracked down my first Auf Wiedersehen, Pet filming location, after simply telephoning Central Television who made the first two series of the show. The first part of the second series was set in a large country house in Derbyshire, so I always had it in my head, that all I had to do was narrow it down to a few huge country homes in that county.


What turned out to be a short phone call to a very helpful lady at Central Television, ended with me being told it was actually filmed in Nottinghamshire. The place of the filming was Beesthorpe Hall in Caunton, and so began a life of travelling around the Midlands searching for those locations I had seen on screen many times.


Fast forward to 2012, and I am now in the great position of being able to find out where Auf Wiedersehen, Pet was filmed at the click of a button, thanks to the internet.


For fans of the show, you will know that the first series was set in Dusseldorf, Germany, but with only a handful of scenes actually being filmed in the city. Hamburg was used as the location for the large part of the filming in Germany. What many fans of the show might now know, is that most of the building site you see on screen in the first series, was actually built using materials shipped in from Germany, on an outdoor film set in Elstree Studios in Hertfordshire. The BBC EastEnders outdoor set is now located on the very same spot.


Series 2 of Auf Wiedersehen, Pet was mostly filmed in and around Nottinghamshire, with Caunton, Redmile, Beeston and Bingham used for a number of key scenes featuring such stars as Jimmy Nail, Tim Healy and Pat Roach.


I have visited many of the locations that feature in Auf Wiedersehen, Pet myself, and it is still easy to find locations which have not changed at all, even after almost 30 years. The show was brought back to our screens in 2002 and 2004, and locations for these series include Middlesbrough, Arizona and the Dominican Republic. Providing articles, reviews and writings on movies online.

Thursday, August 9, 2012

Movie Review: Seeking a Friend for the End of the World (2012)

An unending, melancholy tone permeates the entire film, once again demonstrating Steve Carell's knack for that typical, sad, lonely character he always assumes (when he's not the cocky, ignorant, inconsiderate "Michael Scott" persona). But unlike Dan in Real Life or Little Miss Sunshine, there are few ups and downs - the role isn't nearly dynamic enough for audiences to invest in the somber development that keeps his plight from being emotionally involving. Similarly, Keira Knightley goes through the motions of being an unlikely companion without a convincing connection that could warrant their cross-country pilgrimage to find meaning in a world coming undone.


Dodge Petersen (Steve Carell) still goes to work each day at Metropolitan Consolidated Life Insurance, even though a 70-mile-wide asteroid named "Matilda" has just annihilated space shuttle Deliverance, the last remaining hope for saving Earth from certain doom. The countdown has begun: 21 days before the world ends. Many resort to abandoning hope, participating in carefree orgies of food and sex, or spending their final hours with family and friends. Penny (Keira Knightley) has missed her last opportunity to fly home and so laments outside Dodge's window. The two strike up a friendship and decide to embark on an odyssey to reunite Dodge with his high school sweetheart - a reconciliation botched by Penny retaining a misdelivered letter for Dodge. They're also accompanied by a randomly deserted dog dubbed "Sorry" - a witty moniker never fully utilized.


It's sometimes touching and undeniably soothing to see the obvious counterparts come to a romantic fruition, even if the casting choices don't appear completely compatible. Perhaps it's the age difference, or the contrasting personalities, or witnessing brief, unfulfilling assemblies of Penny's past admirers that seem probable yet discordant. Or maybe it's Dodge's admirable yet clashing sacrifices for love that suggest contrivance and an expected resolution. Regardless, a deeper association with the lead duo is elusive, what with the pervasive reminiscing, brooding, and irrational behaviors that are never delirious enough to be funny. Serenity arises, but not as repeatedly as bewilderment from the scenario.


This setting, with citizens either rioting, killing, offing themselves, contradictorily mowing the lawn as if to forget, or stocking bomb shelters for apocalyptic survival, is both the most unique element and the film's undoing. Ceding appeasement for an eye-opening twist essentially ruins the normal romantic comedy hiding beneath the frantic premise. And it's toned down to a degree, materializing less anarchy and chaos than might be expected (infidelity, rape and theft become a casual joke) if the situation were real - yet the shock of suicide and death still work their way into the picture. Enlightenment, a day at the beach, and reconnecting with loved ones can't mask the nerve-wracking, spontaneous nature of encountering bizarre strangers and frequenting eerily abandoned houses. At times it's more disturbing than humorous or romantic. Why should this bleak device interfere so tragically with a simple tale of recognizing the importance of truly worthwhile relationships?


- The Massie Twins (GoneWithTheTwins.com) Providing articles, reviews and writings on movies online.

Wednesday, August 8, 2012

It's a Knockout

Its's a Knockout TV Series


The iconic television series It's a Knockout had an illustrious innings. Beginning in the UK in 1966, it transmitted its last show in 2001. In one special programme, it even had members of the British royal family, Princes Andrew and Edward, Princess Anne and Fergie, as team leaders.


Despite its British team character and typically Anglo-saxon slapstick humour, the series was the brainchild of French Premier Charles de Gaulle, who mooted the European version of the series, Jeux San Frontieres, as a way of uniting European nations in friendship and fun. It even provided the inspiration for Peter Gabriel's song Games without Frontiers, a eulogy to the TV phenomenon.


In the UK, the show hosted 3 teams each week, for example Bristol, Bath and Minehead, all hotly competing for the much sought after 'Tip Top Town Trophy'. The programme billed itself as 'an inter-town contest of skill and strength' and the population of Britain collectively tuned in to watch. In its heyday, in the 70s and 80s, the show boasted audiences of up to 16 million.


As the theme tune 'Bean bag' by Herb Alpert and Tijuanna Brass started playing, people knew that they were in for madness, mayhem and a right good laugh. The teams competed against each other in obstacle races and silly versions of games lifted from the Olympics, school sports days and the producer's fertile imagination.


The competitors always had to wear costumes and these were usually enormous. The huge feet and giant bodies and heads made the racers cumbersome and clumsy and hilariously liable to fall over.


There were relay races, massive rubber inflatables and vast quantities of foam and water, for slipping, sliding and generally getting dunked in. Part of the show's appeal was its jolly, colourful, slapstick and custard pie nature, but perhaps the main factor in its success was the eccentric presenter Stuart Hall, whose infectious laugh sent audiences, and himself, into peals of uncontrollable laughter. If teams did well, they could compete for Great Britain in Jeux Sans Frontieres.


With a bigger budget, and an even bigger audience, the show featured ever more outlandish costumes and fancier props. One game featured giant Frankenstein chasing a flower-planting damsel in a mini-dress and the immortal line "just a friendly tap and he's fractured her skull, but never mind". With penguin suits, revolving platforms, plenty of competitors getting utterly soaked and a punchline of "here come the Belgians", it was a runaway Saturday night success.


For the Brits, as with all great British endeavours, it was the taking part that counted. Love it or loathe it, it was ground breaking TV and it epitomised the best of British spirit in a nutshell. Providing articles, reviews and writings on movies online.

Tuesday, August 7, 2012

Television Influence on Small Children

The Greek and Latin languages are where the word 'television' has its origin. The word is a derivative from 'tele', which is a Greek word translates, to 'far sight' and 'visio' is a Latin word that means 'sight.' In the latter part of the 1930s, the television made its way to the commercial markets. These days, television is the single most popular type of audio-visual in commercial set-ups and home. Merely mentioning the word 'television' calls to mind a medium which assists individuals in keeping abreast with entertainment issues and current affairs. No longer is the television set a single communication unit. The television has evolved in the complexity of the design to transmit recorded material that is stored on Blu-ray discs, laser discs, DVDs and video cassettes.


Television History


The television history spans over time zones and regions, in view of the fact that the technology has evolved in different places and at different times. This communication system, as it is known these days, is not the brainchild of any one specific inventor. The process has taken the endeavours of a number of engineers, over several decades, to develop along various overlapping designs, to utilize commonly accepted electronic and mechanical principles. Despite the fact that electromechanical television sets have been abandoned for the completely electronic, ultra-modern designs, the fundamental design rests on the discovery of selenium photo-conductivity in 1873. That discovery which was made by Willoughby Smith brought about the scanning disk invention from Paul Gottlieb Nipkow in 1884. In 1926, a demonstration of televised moving images was carried out by John Logie Baird, that technology was joined with the image dissector that was designed in 1927 by Philo Farnsworth, to provide viewers with the fundamental principles of the television that we currently know.


These days, the world of television is discovered by children at an incredibly tender age. A number of studies have indicated that kids who are younger than 6 years old watch television, DVD or video on a daily basis, at an average of 2 hours. In a number of instances, watching television can be useful, particularly the wildlife and educational programs that have the capacity to broaden the understanding and knowledge of your child in relation to the world around him or her. In addition, it can introduce them to a variety of communities and cultures of the world. However, at the moment the negative effects are seemingly outweighing the uplifting ones.


The Negative Influences of Television on Children


The formative years in the life of child, particularly the first two to three years, are vital to the mental growth and development of the child. Those are the years in which a child learns by way of interacting, observing, playing and discovering new things. As a result, these first few years are extremely vital for the physical and mental development. Therefore, a pattern of watching television excessively could hinder his or her social activities such as spending quality time with members of the family, reading and playing with friends.


There are a number of television programs that portray extreme violence and this could induce lots of changes in behaviour in young children. In view of the fact that kids can relate easily to what is being shown on the television screen, they will be more prone to imitating the behaviour that is depicted. As a result, you may notice aggressive behaviour in your child. In addition, it could cause the little one to develop sleeping disorders and have nightmares because his or her sense of anxiety and fear has been stimulated by what is shown on the television. In addition to this, it will possibly result in creating confusion in the mind of the young child as it relates to knowing the difference between good and bad. That is because parents most likely teach their kids that aggression and violence is bad but the program on the television will possibly show the heroes or 'good guys' perpetrating violence.


Apart from the violence, drinking and smoking scenes are depicted widely in commercials and television programs, without giving an explanation of the unfavourable consequences. The repeated and continuous exposure to these programs will make children feel as though these activities are quite acceptable and normal. As a result, kids who watch these programs on a regular basis are a great deal more likely to mimic and develop these unhealthy habits from an early stage in their development.


In the developed world, obesity is a widespread problem and television is among the important factors that are responsible for the increasing incidences of obesity among kids. Excessive watching of television decreases physical activities of the kids and simultaneously amplifies the popularity of unhealthy foods, such as potato chips, soft drinks and other snacks that they see on the commercials. Providing articles, reviews and writings on movies online.

Monday, August 6, 2012

Is It Any Wonder That Movie Piracy Sites Are Thriving?

It was a rainy day today, so my wife and I decided that we should go and see a movie. We called up Grandma and asked if she would be willing to look after the kids for a few hours, and she was happy to spend some extra time with the little ones. So, after finally agreeing to go and see the new Men In Black 3 movie, we got into the car and headed to our local Cineplex theatre. When we arrived, we walked up to the ticket machine, requested 2 general admission tickets and then proceeded to pay. For the two tickets at this particular Cineplex, the grand total was $21.00, which seemed pretty reasonable. Next, we proceeded over to the concession stands to consider our options for a snack. We didn't want to get too elaborate, so we settled on a large popcorn, 2 regular sized drinks and a small bag of candy.


Fortunately, my wife has a 'SCENE' card (a promotional card that rewards purchases with points and lowers the cost of some goods when presented at time of purchase). However, even with the card, the snacks cost us another $21.00!! Now, we're not talking about pizza and fries, or hot dogs and energy drinks here....we're talking about one of the cheapest snacks known to mankind....due to the sheer abundance of raw materials available on this continent, popcorn costs mere pennies to produce, but apparently commands a GIANT price tag to consume when purchased at a movie theatre! As well, those large cups of soda are quite expensive as well (after they fill your cup with Ice, there might be the equivalent of one standard can of soda in that cup). The way I figure it, we probably got the equivalent of 1/4 a cup of popped corn kernels, 2 cans of pop and a bag of candy that could be purchased at a local grocery store for about $2. Based on some quick research that I have done, a pound of popcorn kernels is equal to about 4 cups of kernels, and a 1/4 cup of kernels will yield approximately 8 cups of popped popcorn.


So 4 cups of kernels will yield about 128 cups of popped popcorn! Oh and wait!, it's important to note that a pound of popcorn kernels costs about $2.00, so as you can see, you can produce approximately 128 cups of popcorn for about $2.00! Keeping these figures in mind, it cost the movie theatre approximately 13 cents for our large bag of popcorn, another couple of bucks for our soft drinks (calculated at a retail cost of $1 per can of soda), and about $2 or $3 for the bag of candy...for a grand total of about $5! In turn, they charged us $21.00 for those snacks!! That represents a mark-up of over 400%! As a result of this, it cost my wife and I just over $40.00 to see a movie today...and that was at a Cineplex where the price of the general admission tickets are much lower than those found at the same theatres in larger cities, where it's not uncommon to find admission prices ranging from $12 to $18 per person!


With pricing like this, it is little wonder why piracy has become such a large issue in today's society. After all, imagine if instead of Men In Black 3, my wife and I had decided to take our kids to the movies with us and take in a children's movie. Even with the cheaper kids ticket and concession costs factored in, the costs associated with such an endeavor would balloon to somewhere between $70 - $90! In the current economy, families are looking for affordable entertainment, and I do not believe that our local movie theatres are doing a very good job of providing that. Instead, families are more likely to download a newly released movie, pop up some popcorn on the stove and crack open some beverages found in the fridge... then curl up on the sofas and lazy boy chairs and have a family movie night. The costs associated with the stay at home movie night are likely under $10 bucks, and you don't have to worry about the obnoxious teenagers 3 rows behind tossing popcorn at you, while texting and speaking on their cellphones!


In the past 5 years alone I have witnessed the costs at the concession stands rise nearly 40%! I understand that some food industries have had to suffer through shortages due to issues related to weather and environment, but corn has remained very affordable throughout those 5 years. The costs associated with soda and candy has gone up slightly, but certainly not enough to justify a 40% hike at the movie concessions. So, is this just a matter of corporate and shareholder greed? Is the never ending appetite for ever increasing profits starting to get to a point that average families now face exorbitant costs just to take their loved ones to a show? Is it any surprise that movie theatres have to plaster large signs at the doors declaring "No Outside Food or Drink Beyond This Point"?


Obviously they are trying to protect their very large profit margins and thus their investors returns.....not to mention the fat salaries and bonuses awarded to their top executives! In 2010, the CEO of Cineplex received over $4.5 Million in total compensation - most of which was received in additional incentives beyond his base salary based on performance and profit targets! His base salary was just $803 Thousand dollars.....but he earned over 5 times this amount once all of the additional bonuses and incentives were paid....and you can bet your bottom dollar that those rising ticket prices and exorbitant concession prices factored largely into his compensation package....but hey, who can live on a paltry base salary of $803,000/year anyways right?


Here is an idea for Cineplex that would result in continued growth of profits and thus, investor delight. Why don't you drop your prices 40%, encouraging more families and individuals to visit your theatres and grow your business through expanded ticket and concession sales! As a result, you could positively affect the employment figures and employ more people to serve the influx of customers who can now afford to come to the movies, and more people could enjoy the magic of watching movies on the big screen, rather than downloading those movies to hard drives at home that are hooked up to their large screen televisions. I think you will find that people are more willing to pay a fair price for the entertainment you are providing, than stay at home and watch their free downloads because they cannot afford to pay your unfair and outlandishly exorbitant fees.


Furthermore, the movie industry going after the websites that provide free downloads of your movies will never yield any great blows to the infinite community of piracy sites that exist out there in the wild of the world wide web....but charging people affordable prices to visit your theatres will slowly start to win back customers who are tired of being overcharged to watch movies that rarely live up to their trailers! While the cost of your tickets and concessions have been steadily going up, the cost of large screen televisions and the technology used for downloading content has been steadily going down. If that trend continues, theatre companies like Cineplex will continue to see their viewership decline (Between the years 2000 - 2010, cinema attendance has dropped by over 22%, while during the same period, ticket prices have increased over 15%!), and large electronic retailers like Best Buy, Future Shop and Amazon will continue to benefit from the increased demand for new big screen TV's!


The bigger concern for companies like Cineplex should be...how long can they continue raising prices to offset the decline in ticket sales before they begin seeing massive drops in cinema attendance! Only time will tell, but if I were the CEO of Cineplex, I would be very concerned with the long term prospects of my job. Of course, the question remains whether the current CEO has enough foresight and courage to challenge the traditional business model that has over the past 10 years continued to show steady declines in attendance! Personally, I hope the industry turns itself around, and many more generations of people can continue to experience the magic of the big screen at an affordable price. Providing articles, reviews and writings on movies online.

Sunday, August 5, 2012

Vampire Diaries: More Than Just a Fantasy

For movie enthusiasts, the Twilight series is one of the most popular fantasy movies in recent times with its introduction of romance between a vampire and a human. It's not exactly an original concept but the author added some extra features like how vampires sparkle and also the concept of a love triangle with a werewolf. Just like in movies, TV shows have its fair share of popular fantasy shows such as True Blood, The Walking Dead and Smallville. One TV show that aims to be another memorable show is the CW's "The Vampire Diaries".


Vampire Diaries follows the story of a girl, Elena, torn between her romance for two vampires who happens to be brothers. Looking at that plot alone, people may judge it as a copycat of other several vampire stories. While it may not be that original in terms of its concept, the show makes up for it in their storylines and subplots. It doesn't exactly focus on the trivial facts about vampires but on the relationship of every character, especially the main character, who finds out she is a descendant of another vampire and whose life has changed when the people around her has been affected by the presence of the vampires. Elena, played by Nina Dobrev, finds herself in the company of Stefan and Damon who tries to capture her heart. But the decision is not easy to make for her as she has fallen in love with both of them. The other characters in the show have also captured the interest of the viewers with their own storylines which are in some way connected to each other in the greater side of things. One of Elena's best friends, Bonnie is a witch who grew up under the care of her grandma and another one of her friend is Caroline who was turned by a vampire and fell in love with a werewolf, Tyler, who happens to be one of their friends. We have seen these characters grow throughout the show's run especially when Bonnie strives to have more power as a witch and finds out about her mother is alive all these years. We also see Caroline's maturity as she makes her transition from a human to a vampire. We see how she struggled with helping her boyfriend turn to a werewolf and try to keep their relationship even if vampires and werewolves were not supposed to be together. Elena also has her own set of problems especially in dealing with her parent's death and the added responsibility of taking care of her brother whom she only has left after their guardian passed away.


One of the major reasons why this show continues to keep viewers watching is that it incorporates real life problems and situations into the show. Most people like to watch drama and this show has plenty of it. There's romance, betrayal, action and a hint of humor to mix it up a bit. While this show might have vampires and other supernatural beings as the main cast of the show, it is something that humans have enjoyed in their TV viewing. Providing articles, reviews and writings on movies online.

Saturday, August 4, 2012

Movie Review: Prometheus (2012)

Director Ridley Scott originally intended on creating a prequel to his film Alien, but when the script writing began, he realized the wealth of material presented warranted its own separate tale (still set in the same universe, however). Such an undertaking led to copious speculation and extremely high expectations from fans for what would eventually become Prometheus. Yet for a film that supposedly merited severance from becoming a direct Alien precursor, the sequence of events in Prometheus are strikingly close to that of Scott's prior effort. In fact, certain segments seem designed specifically as a counterpart to the iconic moments now cemented in cinematic history. Unfortunately, none of these scenes come close to the shocking brilliance of those found in Alien, and while the atmospheric sets, awe-inspiring practical effects, and competent acting are present as they should be, don't expect to find the answers you're looking for - in either the notorious beasts' origins or the countless new questions raised that Scott clearly feels are better left unanswered.


When scientists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) discover clues on Earth that point to possible "engineers" of mankind, they partner with the powerful Weyland Corporation to launch an expedition into space to make contact with their creators. Governed by Weyland's stern attaché Meredith Vickers (Charlize Theron) and accompanied by geologists, mercenaries, and the cryptic android David (Michael Fassbender), the crew of the spaceship Prometheus is instructed not to interact with any life forms they may encounter. But once the group reaches their destination of the moon LV-233 and discovers the remains of the beings they set out to find, avoiding exposure becomes impossible. As a deadly infection rapidly spreads and mysterious creatures begin attacking the crew, Elizabeth realizes the horrifying truth and must fight for her own life as well as the very fate of mankind.


The usually capable director has bitten off a bit more than he could chew with Prometheus, which attempts at different moments to be a great many things. Expectations are particularly high, since Scott became famous for Alien in 1979, and this film marks his return to the genre. At the beginning, he ventures into contemplating alternatives to the evolution of humankind with predominantly science-fiction philosophies; in the middle, he explores favorite themes such as the assault on feeble human flesh, the invasion of orifices, and genetic mutation - essential elements of gore for the sake of horror; and toward the conclusion, he opts for action-oriented thrills, packed with impressive CG wizardry and massive destruction. Each shift in genre disorients the story from having a clear vision, and the result is a mess of unresolved ideas and poorly defined beings (especially regarding the capabilities and function of the Engineers, their cargo, and subsequent anomalies).


Brandywine Productions, David Giler and Walter Hill as producers, the title font, notations of "LV_223," talk of company jobs, an android, a monstrous ship full of lonely corridors, hypersleep sickness, hidden agendas, sabotage, H.R. Giger's artwork, and advanced technology all harken the return of a familiar atmosphere. But while the environment, heaped with humidity, high-pitched noises, black muck, and slithery critters, remains reminiscent of Scott's original masterpiece, the plot progresses slowly and formulaically. A crew awakes from hypersleep, a bypass surgery medical pod is inspected, Jackson claims he's there for security purposes and brandishes weaponry, ship and helmet cameras feed crackling, static-filled transmissions, allochthonous walls glisten with slime, and an unsuccessful quarantine allows something to be brought back aboard the command ship. None of it is notably original and the sense of foreboding and foreshadowing is jeeringly blatant. Suspense arrives too late, horror is handled clumsily, and the poignancy of physical pain, understanding the purpose of the structures, and digesting answers to the mysteries of life is sorely neglected. The "space jockey" creation from Alien sparked an interesting question of origin and ancestry, but the solution is mightily underwhelming.


- The Massie Twins (GoneWithTheTwins.com) Providing articles, reviews and writings on movies online.

Friday, August 3, 2012

Phyllis and Harold (2008)

In our youth-obsessed culture, something awful happens to people of a certain age. We take away their humanity. Once white hair and wrinkles achieve a certain critical mass, we tend to think of the individual as a mute, taxidermied version of a once vital family member who gets only minimal attention. And when a couple makes it to this stage, they're looked upon as cute and cuddly - we assume happiness and harmony.


Not so with Phyllis and Harold, a captivating documentary by Cindy Kleine. It's an unflinching portrait of her parents' marriage of nearly 60 years that was anything but a storybook romance - and couldn't be told until after the death of her father.


It opens slyly with a scene of Phyllis and Harold Kleine in the kitchen, going about their day-to-day routine. They bicker. They tease. They're cute. And then, there's a cut to Kleine, who addresses the camera and tells us that for as long as she can remember she's been trying to figure out who these people are and why they were together. The answers unfold as a kind of 20th century suburban tragedy.


Harold emerges as a kind of World War II era everyman - a dentist version of the guys on Mad Men - confident and primed for success in the upper end of the post-war middle class, determined to provide his wife and two daughters with all the material comfort he can afford. He exhaustively documented his family's life, taking photographs and home movies of daily events and the globetrotting vacations he lavished on his wife. His version of their life together is a happy one.


Phyllis has a different take altogether. From her first words, Phyllis paints a picture of regret, of having settled. It's a naked confession that blows the movie wide open and turns it into something completely other than what I expected. The source of regret is an affair with a married man that began before she married Harold, but carried on into their first years as husband and wife.


Kleine interviews her parents separately, and what is striking is how alike they view the facts of their marriage, but how differently the meaning. Their interviews are intercut to a chilling effect - underscoring how people so close for so long can yet be miles apart.


Phyllis ended the affair after five years, unwilling to walk out and unable to live with the stress of a double-life. "I didn't see how you could build a building on such a hurtful relationship - all the hurt we would inflict," she said. The man "disappeared to California. But I never stopped thinking about him."


Harold, oblivious to the affair, focused on his career and a string of real estate investments, while Phyllis decorated the house and focused on their social life. Their housekeeper took care of the girls and was a source of comfort in the midst of their parents' constant battles. The Kleines come across as a family in a David Sedaris story. Phyllis systematically turned her daughters against her father through the use of secrets - withholding information from Harold that would anger or hurt him - so that, despite her emotional distance, the three were unified by a common enemy.


I would have liked to have heard more about Harold - gotten his side of the story - but I understand why Kleine gave a pat explanation for him and pushed him to the background. Secrets. That, and her mother's interviews are mesmerizing. There's a confessional quality to them that borders on the voyeuristic to watch - her emotions ranging from shame and regret to pure joy as she reflects on her true love. It's a rare glimpse into an aspect of marriage that's almost never explored this honestly.


Harold never learned of his wife's secret. He died during the making of the documentary, alleviating his youngest daughter of the burden of what to do with such hurtful material. And with him out of the way, the daughters help orchestrate a reunion with the man who siphoned off so much of their mother's attention over the years. It made me want to know more about Harold - what he did to make it so easy for his daughters to discount the betrayal and facilitate their mother's wishes.


It's easy to judge, but I'm betting we all walk around with secrets, shame, and guilt that we never confess. Cindy Kleine has given us a document of one woman's unrepentant confession, and though it may be painful to watch, it's impossible to turn away.


youtube.com/watch?v=TvmFG8JEWqU&feature=related. Providing articles, reviews and writings on movies online.

Thursday, August 2, 2012

We All Know That The Sun Rises, But What Else Rises?

We all know the sun rises, but what else rises? What else rises? The "Dark Knight Rises" will be released on July 20, 2012! Now I am 99.99% positive that I can refrain form asking this next question, but for fairness sake, I will ask it anyways. Are you excited? Ahhhhhhh, I am so excited! I can barely hold it in! But, there may be some people out there who do not share my passion and anticipation. That is why I am writing this blog; Well really I am writing this blog for a two-fold reason. 1. To critique "Dark Knight" and share my opinion on "Dark Knight Rises" and 2. To hear your opinion about whether or not you think "Dark knight Rises will be a success.


So let me begin with my critique on "Dark Knight" (MINIMAL SPOILER ALERT HERE) I absolutely loved it, from the intelligent script, to the genius of a director, and to the elegant cast of actors. If you read my earlier blog on the movie "Inception", you will all ready be aware of my love for director Christopher Nolan. He is a genius when it comes to directing because he know how to relate to his audience. Nolan is aware of what his viewers want to see and how to convey that in his pieces of work. And the actors? Simply put, how can one go wrong with names such as Christian Bale and Heath Ledger. Bale is known for his role in the first two Batman movies and of course, will be performing the role in the new and upcoming "Dark knight Rises." But another movie he played an excellent role in was the movie "Prestige"(also directed by Christopher Nolan) But, that is a whole different story and will without a doubt be fully critiqued in one of my future blogs. And Heath Ledger....If you have not seen "Dark Knight", Ledger is enough reason to go see it. I am a huge fan of Christian Bale and his ability to relate to his character's emotion and feelings, but I have to honestly say that Heath Ledger is the aspect that changes this movie from amazing to outstandingly amazing. Ledger hit the nail perfectly as he played the role of the Joker. There was no convincing needing to take place in my mind. He played the role perfectly. If you are fan of this movie I am sure you will remember this quote of his which sends chills down my spine...


"The Joker: Come here. Hey! Look at me. So I had a wife. She was beautiful, like you. Who tells me I worry too much. Who tells me I ought to smile more. Who gambles and gets in deep with the sharks. One day, they carve her face. And we have no money for surgeries. She can't take it. I just want to see her smile again. I just want her to know that I don't care about the scars. So... I stick a razor in my mouth and do this...
[the Joker mimics slicing his mouth open with his tongue]
The Joker:...to myself. And you know what? She can't stand the sight of me! She leaves. Now I see the funny side. Now I'm always smiling!"


What a great moment in this film among several others. Before I ask some questions about the upcoming "Dark Knight Rises", I just wanted to share a short summary of "Dark Knight" for those of you that for some strange reason, have not been able to see it yet. "Dark Knight" portrays Batman as he teams up with Harvey Dent to bring down the opposing vigilante mob and bring peace to the disparaging city of Gotham, but in attempting to accomplish this, let the cat out of the cage so-to-speak. Joker, with his hell-bent passion to turn Gotham against itself, does everything in his power to stop Batman and bring his heroic qualities down to his level.


So questions for "Dark Knight Rises." 1. Do you think this movie will be the last movie in the Batman series? 2. Are you upset that the Joker will not be in it? 3. Do you think it has potential to be the movie out of the series? 4. Will this movie be a success? Providing articles, reviews and writings on movies online.

Wednesday, August 1, 2012

What Other Good Film Rental Websites Are There Like Netflix?

If you're a movie lover and use the internet often, you will probably have heard of the online stream rental website, Netflix.com. This is a website that, for a monthly subscription fee of £5.99, allows you to access a library of around 100,000 movies and TV shows to watch whenever you like! There is big business in this market and there are several companies fighting for the consumer attention, so in this article I will have a look at the other companies fighting for a share of your attention.


Love Film
Lovefilm.com is a site with a similar business model to Netflix. Owned by the huge retail giant Amazon.com, it already has established itself as one of the main players in the online stream/rental business.


One of the packages it offers, Lovefilm Instant, is essentially the same package as Netflix, however it is just £4.99 a month! The range of titles available with Instant are less than you get with Netflix though, and reviews for that particular package are pretty poor compared to Netflix.


There is one major difference between Lovefilm and Netflix, and that is the number of packages available. Where Netflix offers one flat rate £5.99 a month all access package, Lovefilm has lots of different options, and prices to go with them. For example you can rent DVD's to your home address for a monthly fee, or stream online for a monthly fee, or combine the two (more expensive). Check my resource box at the bottom for more information on the pricing of the different packages available, plus how to get free trials with both Netflix and Lovefilm.


The one main similarity with both companies is that both offer a one month free trial of their services. This gives the consumer a chance to work out if the service is worth the fees, a very good idea. REMEMBER! If you take up a free trail with either service you must take care to cancel the service before the month is up if you do not want to pay subscription! It only takes either a phone call or a couple of clicks with each service!


Blink Box
Blink box is an emerging company in the market and is growing in popularity in recent times. This is because it has a different take on the market to the other two companies, in that it does not charge monthly subscription fees! This works to the advantage of the occasional film watcher, as you only pay for a film when you want to watch one! Also Blink Box currently has a deal with Dominos Pizza (2012) where on a Monday you can watch a movie from 99p and get 40% off certain orders at Dominos Pizza! For more information and pricing check my resource box at the bottom.


I hope this article has helped in showing the different options available to using Netflix.com. Providing articles, reviews and writings on movies online.

Full Movies Download

Movies And MP3

Movies and MP3 files are already compressed with near maximum capacity. Repacking them would just create larger files and increase decompression time. Ripped movies are still packaged due to the large file size, but compression is disallowed and the RAR format is used only as a container. Because of this, modern playback software can easily play a release directly from the packaged files, and even stream it as the release is downloaded (if the network is fast enough).

MP3 and music video releases are an exception in that they are not packaged into a single archive like almost all other sections. These releases have content that is not further compressible without loss of quality, but also have small enough files that they can be transferred reliably without breaking them up. Since these releases rarely have large numbers of files, leaving them unpackaged is more convenient and allows for easier scripting. For example, scripts can read ID3 information from MP3s and sort releases based on those contents.