Movie Review: Rock of Ages (2012)

Rock god Stacee Jaxx vents that he's a slave to rock 'n' roll. His lament parallels the problems at the core of Rock of Ages; the story and characters are swallowed whole by the music - and when the pounding beat ebbs, there's little left to attract us to what's underneath. This won't be a problem for many as the creative use of classic rock songs as a form of narration has its own substantial appeal. The clever juxtaposition of recognizable tunes and the extravagantly choreographed dance sequences are also entertaining, but they don't provide the stability of a stronger plot and more intricately developed characters. When the guitars roar and the singing starts though, it can be easy to forgive the faults and submerse yourself in the pulsing music and fervent performances.

With high hopes of becoming a singer, young Oklahoma girl Sherrie Christian (Julianne Hough) heads to Hollywood. Once there, a chance encounter lands her a job at the Bourbon Room, a famous nightclub run by Dennis Dupree (Alec Baldwin) that has played host to countless rock icons, including the wildly unhinged Stacee Jaxx (Tom Cruise). Falling in love with the Bourbon's busboy Drew (Diego Boneta), Sherrie thinks she's found happiness, but a grave misunderstanding finds the lovers parting ways; as each one drifts further away from their dreams, tragedy also strikes the Bourbon in the form of a bitter mayor's wife (Catherine Zeta-Jones), intent on shutting them down. But with a little luck and a lot of love, the power of rock 'n' roll might just save them all.

Fleeting cleverness works its way into a story of shattered dreams, lost and found love, personal redemption, and all that is '80s rock (including oodles of sweat, skin, pyrotechnics, girls, booze, and mischievous pet monkeys). With laughs from sexually deviant setups, suggestive comedic arrangements, and lascivious routines, and awkwardness from the stereotypical insanities of out-of-control musicians, the lack of a plot is intermittently forgotten. The infectious, nonstop soundtrack is also, fortunately, so intoxicating that it hides the deficiency in scripting. Generic characters and expected revelations messily fill in the gaps for a thrillingly assembled composition of catchy tunes and innovative duets, further augmented by an impressive cast (considering the success of the stage play, notable actors were probably easily attracted to the theatrical adaptation).

An abundance of energy similarly makes up for the unconvincing lip-syncing and spontaneous song-and-dance that isn't as smoothly integrated into character actions as other modern musicals. The flow and transitions are somewhat abrasive at the start, but after a few montages that seem to exist in their own indeterminate time frame, it's difficult not to get caught up in Cruise's silliness (embellished with an unwarranted sense of entitlement and extreme decadence), Giamatti's go-to sleazy linguist role, and Baldwin's uncharacteristic visual styling. Russell Brand, Catherine Zeta-Jones, Bryan Cranston, and Malin Akerman conflictingly add nothing but recognizable names and missed potential. Despite the foibles and faults, however, the music really makes it work.

- The Massie Twins (GoneWithTheTwins.com) Providing articles, reviews and writings on movies online.

It's a Knockout

Its's a Knockout TV Series

The iconic television series It's a Knockout had an illustrious innings. Beginning in the UK in 1966, it transmitted its last show in 2001. In one special programme, it even had members of the British royal family, Princes Andrew and Edward, Princess Anne and Fergie, as team leaders.

Despite its British team character and typically Anglo-saxon slapstick humour, the series was the brainchild of French Premier Charles de Gaulle, who mooted the European version of the series, Jeux San Frontieres, as a way of uniting European nations in friendship and fun. It even provided the inspiration for Peter Gabriel's song Games without Frontiers, a eulogy to the TV phenomenon.

In the UK, the show hosted 3 teams each week, for example Bristol, Bath and Minehead, all hotly competing for the much sought after 'Tip Top Town Trophy'. The programme billed itself as 'an inter-town contest of skill and strength' and the population of Britain collectively tuned in to watch. In its heyday, in the 70s and 80s, the show boasted audiences of up to 16 million.

As the theme tune 'Bean bag' by Herb Alpert and Tijuanna Brass started playing, people knew that they were in for madness, mayhem and a right good laugh. The teams competed against each other in obstacle races and silly versions of games lifted from the Olympics, school sports days and the producer's fertile imagination.

The competitors always had to wear costumes and these were usually enormous. The huge feet and giant bodies and heads made the racers cumbersome and clumsy and hilariously liable to fall over.

There were relay races, massive rubber inflatables and vast quantities of foam and water, for slipping, sliding and generally getting dunked in. Part of the show's appeal was its jolly, colourful, slapstick and custard pie nature, but perhaps the main factor in its success was the eccentric presenter Stuart Hall, whose infectious laugh sent audiences, and himself, into peals of uncontrollable laughter. If teams did well, they could compete for Great Britain in Jeux Sans Frontieres.

With a bigger budget, and an even bigger audience, the show featured ever more outlandish costumes and fancier props. One game featured giant Frankenstein chasing a flower-planting damsel in a mini-dress and the immortal line "just a friendly tap and he's fractured her skull, but never mind". With penguin suits, revolving platforms, plenty of competitors getting utterly soaked and a punchline of "here come the Belgians", it was a runaway Saturday night success.

For the Brits, as with all great British endeavours, it was the taking part that counted. Love it or loathe it, it was ground breaking TV and it epitomised the best of British spirit in a nutshell. Providing articles, reviews and writings on movies online.

American Idol: The Spotlight on the Judges

It was just over a decade ago where we saw the landscape of television change due to the success of the hit tv show, American Idol. The show managed to produce a fair share of talents in every season that kept viewers wanting to see more. Aside from the talent that was showcased, the viewing public also got exposed to three different personalities standing as a judge for the show. Randy Jackson, a well-known producer in the music business, Paula Abdul, a popular singer/dancer and probably the most memorable of them all, Simon Cowell, a music producer from the UK who handled the careers of several musicians and was known for his straightforward opinions which means contestants usually receive harsh criticisms from him without feeling remorse.

The relationship between the judges also became one of the reasons why people tuned in to the show. Paula and Simon's nonstop bickering turned out to be a form of entertainment for most people. However, that trio was not meant to last long as the judges had a change of line-up in the latter years of the show. We've seen the judging panel grow to four when comedian Ellen DeGeneres joined the panel. Some have criticized her for not having enough experience as a judge and for not having enough music credentials. She later left the show after one season. We also saw Kara DioGuardi, a music producer and song writer, join the show. The major turning point of the show would have to be the time when Simon decided to leave the show. Many thought that the show will not continue without his presence but the concern that was in everybody's heads was the question of who was going to replace him. Several names popped up until we saw the entire shake-up in the judging panel.

They were cutting the judges back down to three like how it used to be with Randy Jackson being the only original judge to be retained. It was later announced that he was going to be joined by famous rock star and lead singer of the band, Aerosmith, Steven Tyler and popular singer/dancer/actress Jennifer Lopez. There were mixed reactions regarding the new panel of judges but in the end, the three of them did their best to have some chemistry between each other, much to the delight of the fans. But while some were pleased with the decision, some thought that the three of them were too nice to the contestants and they fail to give enough constructive criticisms like Simon Cowell used to do.

It has now been a problem for talent competitions to be criticized for their selection of judges and not just contestants. Some criticizes them for getting judges only for high ratings instead of producing a good talent molded by a credible set of judges. For a show like American Idol, they have endured these criticisms for more than a decade and it doesn't seem to affect them as they have clearly gained a loyal fan base whoever they put on the judging panel. Providing articles, reviews and writings on movies online.

Batman: The Dark Knight Rises

Christopher Nolan Rises to the Occasion!

Christopher Nolan has made all Batman fans worldwide very happy, but most of all proud. Comic book fans are a very dedicated and loyal crew. They want to boast and beat their chests with pride and need the world to know just how badass Batman truly is. Batman is not the colorful Spider-Man who dances around like Tobey Maguire. Batman is dark and twisted constantly at war with Gotham city.

What if you were 8 years old, your parents take you out to a movie and some loser thug named Joe Chill kills your parents, right in front of you? Would you not be cold, distant, and perhaps even odd? Christopher Nolan has done a fantastic job telling the story as it should be told. "The Legend Ends" on July 20th, but Christopher Nolan has ensured his Dark Knight will live on for a very long time.

Bane: "The Man Who Broke the Bat"

"When Gotham is ashes, you have my permission to die. "- Bane, speaking to Batman

Who is Bane? Bane is that guy who was born and raised in prison. He is that guy who broke Bruce Wayne's spinal cord. He is a smart and physical freak who has been fighting to survive his entire life.

In Batman The Dark Knight, we witnessed Heath Ledger transform The Joker into the villain we all knew and wanted to see for so long from the comic books.

The question is can Tom Hardy bring Bane to life like Heath Ledger did with The Joker? All signs point to yes, and we can tell from the trailer that Bane is no stranger to death and destruction. Tom Hardy himself described Bane as an absolute terrorist. If he can make that transition on screen, get your popcorn ready! It is sure to be one hell of a ride! Batman The Dark Knight Rises is set to end on a high note. This movie will be the masterpiece to end an already proven and brilliant franchise.

Batman The Dark Knight Rises Cast and Crew

Christian Bale is back for his final Batman movie. He said earlier in an interview that this will be his final movie wearing the Batman costume. Gary Oldman is also returning to play Jim Gordon. Then you have Michael Caine playing Alfred, and Morgan Freeman playing Lucius Fox. The new members for this final installment is Anne Hathaway, who takes on the infamous role of Selina Kyle. For those that don't know that name, you might know her famous alter-ego of Catwoman.

Anne Hathaway gets plenty of screentime in the trailer and is sure to be a hit. Christopher Nolan also adds Joseph Gordon-Levitt and Marion Cotillard, who were both in his huge hit Inception. Overall the cast stays the same, lined with star power and an enormous amount of talent. Of course you have Liam Neeson and the above mentioned Tom Hardy.

O and did I mention Troy Polamalu, Ben Roethlisberger, Hines Ward and many other NFL Pittsburgh Steelers all make their movie debut! With the new additions this is sure to be nothing less than a blockbuster.

Batman The Dark Knight Rises into Box Office Gold!

Batman Begins, which was released back in 2005 pulled in $372,710,015 Worldwide!

Batman The Dark Knight was released in 2008 and is one of the top ten biggest grossing movies of all time! It pulled in a worldwide total of $1,001,921,825. This new and final installment, Batman The Dark Knight Rises is set to break records once again! It has an estimated budget of $250 million, up from the estimated budget of $185 million from Batman The Dark Knight. I think it is safe to say this Batman will rise right into the record books! Providing articles, reviews and writings on movies online.